Thursday 7 January 2010

Going To Extremes - 7/1/2010

Well, the weather is looking up, and with luck tomorrow I can do some photography instead of talking about it. Oh, and talking about talking about it, today I want to talk about extreme post processing, having demonstrated gentle post processing to lighten the ground and darken the sky last time. Two shots for you, or two versions of the same shot, one heavily post processed, one not:


Such is the prejudice against post processing, or "Photoshopping" as dim and ignorant people call it, that most shooters will prefer the plain version. Yet I've never seen the plain version anywhere, and the other one has been nicked and put everywhere.

In point of fact everything is post processed. When you take a picture, if you are shooting in JPG, then the JPG engine in your camera will apply what it thinks of as the correct amount of saturation, sharpening, contrast etc. On more expensive cameras you can change these settings. That's effectively post processing. If you shoot RAW, then you can change the settings after you've seen the shot. Post Processing. The colourful shot above was processed in Nikon Capture NX. This is a version of the camera JPG engine in software. If I'd whacked up the saturation on the back of the camera, then the shot would, according to some people, not have been post processed. Because I did it afterwards, on the computer, that's cheating, apparently.

2 comments:

  1. I don't see it as cheating any more than embellishing a story is cheating. Or wearing make-up.

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  2. Indeed, that's a good way of looking at. If you're righting a factual newspaper article, then you shouldn't embellish. If you are writing comedy, then the sky is limit.

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